JACQUES LEBEAU
The Rat King
AGE
GENDER
RACE
DEMEANOR
THEME
VOICE CLAIM
OCCUPATION
HEIGHT
DOB
ROLE
7/11
5'6
Inventor
27
Male
French/Unknown
The Devil
Villain
"IS IT A SIN TO DREAM? THEN I MUST BE THE DEVIL."
Jacques's paradoxical decision to amass wealth while remaining a recluse is deeply rooted in his mysterious and troubled upbringing, a topic he avoids discussing. Whispers abound that Jacques endured a childhood marred by abuse, forced to live in squalor, and at times, in conditions more harrowing than homelessness all at the hands of a neglectful, embittered father who resented his very existence. His hard-earned riches, disdain for criticism, and solitary lifestyle seem to be both a defiant response to and a rejection of his past, a vow to triumph against all odds while fiercely ensuring that no one ever dares to wrong him again. To combat his loneliness, Jacques surrounds himself with mechanical marvels, clockwork men and women who serve as his loyal companions. Each possesses a unique personality and could easily be mistaken for human, save for the occasional robotic tic that betrays their true nature. These technological masterpieces are the one invention Jacques guards jealously, believing that no one else is worthy of his greatest work.
Jacques Lebeau is an unconventional young man who has found extraordinary success as an entrepreneur. He has poured countless hours into the study of machines, clockwork, and the occult, leveraging this knowledge to create home appliances, automata, and other innovations that have dramatically transformed the world around him. Despite his groundbreaking achievements, Jacques shuns the fame and fortune that typically accompany such success. Instead, he prefers to remain in the shadows, allowing various proxies to take the credit for his inventions while he quietly reaps the financial rewards, enjoying a life of quiet, yet luxurious, solitude.
Jacques, with his inventive and eccentric nature, often creates unusual and bizarre contraptions. One such creation is a weapon that resembles a corkscrew, ribbed with thorn-like protrusions. While not sharp along its length, the weapon is extremely pointed, making it highly effective for penetrating stabs and thrusts. Once embedded, a twist of the corkscrew reveals its sinister function: it digs deeper into the flesh, and when violently yanked out, it causes severe injuries, potentially disemboweling or maiming the victim. The corkscrew design also allows it to wrap around and entangle an opponent's blade, providing Jacques with a means to disarm and overpower them. Originally conceived as a dark novelty during a vengeful daydream, Jacques wondered what kind of wounds would inflict the most pain on those who had wronged him. However, to date, the only beings subjected to this gruesome creation have been disobedient automatons, much to their mechanical misfortune.
LIKES
DISLIKES
HOBBIES
Wine
Experimenting
Oliver
Meat
Constructive Criticism
Vegetables
Peter
Doll Making
Violin
Fencing
Waltz
Trivia
Jacques' design has remained largely unchanged since its original creation on July 11, 2010, including the two signature beauty marks.
Jacques speaks with a subtle French accent.
Jacques is a skilled violist, though he primarily plays as a way to ward off boredom.
Jacques has a fondness for fine wine, waltz, and fencing. On occasion, all at once.
Jacques has dedicated a significant amount of time and effort to advancing his career.
Jacques is a "Uranian," a term he embraces to discreetly navigate the societal norms of his time. His father's disapproval, along with the expectations of society, led him to keep this aspect of his life private. Fortunately, his self imposed isolation from the world has made this secrecy easier to maintain.
Jacques stands at the same height as Napoleon Bonaparte.
The sash above his heart is the one that rests on top of the other sash
CHARISMA
KINDNESS
INTELLECT
HONESTY
COURAGE
HUMOUR
~SERVANTS~
Nine Mouseling
Umbral Mouseling
Bijou Mouseling
SERVANT
SERVANT
SERVANT
Nine is perhaps Jacques' most favored servant, summoned for tasks more frequently than any of the others, despite being notoriously prone to mistakes. As the first of Jacques' creations, Nine occupies a unique and tender place in his affections. The entirety of his structure embodies trial and error. Jacques harbors a quiet appreciation for Nine's peculiar demeanor, even in the face of the constant reprimands that follow his blunders. Their bond is understated, almost imperceptible to an outsider's eye, yet undeniably present. Nine was born out of experimentation, a fact that only deepens the enigmatic connection between creator and creation.
Umbral, the second model created by Jacques, shares the same responsibilities as Nine but without the frequent mishaps. Jacques relies heavily on Umbral to ensure tasks are completed accurately, as the precise management of his affairs demands punctuality and efficiency. Unlike Nine, Umbral was crafted from experience, embodying the lessons learned from earlier endeavors and standing as a dependable presence in Jacques' intricate world. However, this very perfection makes Umbral flawed in its own way; his robotic nature and strict adherence to being a "by the book" kind of entity leave little room for the nuance and spontaneity that come with imperfection, making him less relatable and more mechanical in his interactions.
Bijou, the last of Jacques' creations, was modeled after his late mother and holds a unique place among the others. Unlike Nine and Umbral, Bijou is not subject to the usual reprimands (at least, none that we know of) and is seen by Jacques with far more sentimental value. She serves more as a coping mechanism than a task handler. She was crafted from memory and experience, essentially brought to life through sentimental reasons and familial love. Jacques may experience regretful feelings about creating Bijou in the likeness of his mother, but she remains by his side, dedicated to helping him find the relief he seeks.
~ASSOCIATES~
Oliver Holliday
PROTÉGÉ
Oliver is one of the rare individuals Jacques has deliberately chosen to spend time with. The two share a deep, sympathetic bond, and for reasons known only to Jacques, he has deemed Oliver worthy of learning all his trade secrets, taking him on as his apprentice and partner. His ambition and knowledge of the medical trade is impressive to Jacques, including his willingness to experiment the impossible. What began as a purely professional relationship has since evolved into something much deeper.
Kristoff Von Becker
GUARD
Kristoff is indebted to Jacques for his miraculous prosthetic advancements which have granted the wounded soldier the ability to walk once more. As such, Von Becker is quick to become defensive for his new employer, even against Oliver (rightly so as the manor's muscle). That being said, it's uncertain if LeBeau would reciprocate the mindset if their roles were reversed.
Peter Kovsky
PRISONER
Peter is the latest individual to capture Jacques' attention. During a victory parade, Jacques, intrigued by Peter’s military career and supposed heroic exploits, approached him to learn more. However, Peter mistook Jacques for a fool and publicly humiliated him at the event. In response, through various means, Jacques has now taken Peter prisoner on his estate, with his intentions remaining ominously unclear.
Alexander Smirnov
ENEMY
Though not as openly despised as Peter, Alexander remains an enemy in Jacques' eyes, for the friend of his enemy is still a foe. To Jacques, Alexander embodies a relentless pursuit of justice, blind to the collateral damage his actions inflict. He views Alexander’s brand of "justice" and "truth" as a twisted perversion, a guise under which he seeks only to destroy in the name of a so called "greater good." Jacques, flawed as he may be, at least harbors no illusions about his own nature. It is in this stark contrast their critical difference that Jacques finds his deepest contempt for Alexander.
Kirsche
SERVANT
Kirsch is nothing more than a bartender automaton, designed to serve drinks and maintain an air of polite indifference. He holds no meaningful role in Jacques' life beyond the function he was built for, acting solely as another stream of revenue for his creator. While Jacques may occasionally confide in him, it’s purely a one sided exchange, as Kirsch is devoid of any true connection or influence over Jacques' world. His purpose is mechanical, his presence impersonal, existing only to fulfill his programmed duties and contribute to Jacques' wealth.
